Online since 1997
Home » Notable Events » 1933 Century of Progress Exposition
1933 Century of Progress Exposition Documents

Fair Grounds Busy Hive of Day and Night Work with 192 Hours to Go

Source: Chicago Daily News, 19 May 1933, pg. 13.

By Harry M. Beardsley.

Since the rains ceased to descend on the lake front and the opening date of the Century of Progress exposition crept nearer, hours of work have been lengthened so that now there is little distinction between night and day. At 10 a.m. today the opening was just 192 hours removed. With every minute the pressure to rush the fair to completion becomes greater, with every minute the distinction between night and day becomes more negligible. Two shifts go on where formerly there was one. Three shifts are put to work where two were employed.

Floodlights and strings of incandescent bulbs are installed to permit night work outside. Within the exhibit buildings the lights burn all night as men and women in overalls and smocks install exhibits, while laborers complete the buildings over their heads.

Constant Stream of Trucks.

The peak of activity, of course, is from 10 a.m. until 5 p.m. By 10 workmen are busy in every nook and cranny of the 300 odd acres. A constant stream of trucks pour through each of the entrance gates, trucks loaded with black dirt, bread and rolls, tools, pipes, paint, ladders, scaffolding, signs, packing cases filled with exhibits, gravel, crushed stone, cement, lumber, glass.

They speed past in an endless panorama that leaves one dizzy and unable to believe his eyes. What appears to be a truck full of oversize spaghetti turns out to be a load of neon tubing. A huge bowl of alphabet soup resolves itself into the wooden letters for signs to be erected on the Midway.

As one leaves the Administration building one notices workmen apparently tearing up sidewalks completed only a few days ago. Sunday's crowds convinced the fair authorities that the walks were not wide enough to handle the traffic they would be called on to bear, so every walk in the grounds will be widened.

Cutting Paper Dolls.

In the Illinois Host building a half-dozen men in white overalls sit on the floor cutting paper dolls. They use knives instead of scissors and linoleum instead of paper; but they are cutting birds and men, women, horses, letters, stars, flowers, trees, soldiers, an endless variety of forms and patterns.

Then they solemnly fit these tiny pictures together to form a linoleum mosaic. A huge eagle in the center of the lobby floor, a series of smaller mosaics around the edges symbolizing the characteristics and resources of the state.

Everywhere carpenters, plumbers, electricians, masons, glaziers, painters are at work. Trucks loaded with crushed stone coated with smoking-hot asphalt dump it by the ton. Men with shoves or tractor-propelled bulldozers spread it, to uniform thickness, heavy rollers run back and forth over it, compressing it. Barricades are erected to keep traffic off of it for a few hours, and lo, another street or walk or the approach to another building has been completed.

Lawns Made Overnight.

Over there men toiled all day yesterday spreading tons of black dirt mixed with peat moss. All through the night other workmen unloaded sod from trucks. Now, still other crews are busy laying the strips, creating a beautiful lawn. A few hours hence the rollers will be reducing it to velvety smoothness. Tonight gardeners will turn the sprinklers on it.

High up on the cables of the Sky Ride men weave webs of steel, working from daylight to a few minutes before darkness. They can take no chances here with dim light or artificial light. Below the [men] painters are putting the final colorful touches to the exterior of the Jehol temple. Across the road exhibits are being unloaded before the Hall of Science.

A truck filled with shining chromium contraptions whizzes by. One guesses they are dentists' chairs, then decides they are shoe-shining stands. Behind them come trucks of beer, flags, bunting, electric transformers, reels of electrical conduits, bricks, milk, hardware, wallboard, boxes, crates, barrels, strange wooden contrivances, a huge plaster eagle with spread wings.

Drain Imitation Florida.

Over on Northerly Island laborers set to work digging ditches to drain a large tract west of the Agricultural building. Thirty inches of muck, brick-bats and discarded automobile fenders must be removed; tiles put in and thirty inches of black soil and peat moss spread. Then seventeen carloads of orange trees transported from Florida in cypress tubs will be planted.

Behind the Agricultural building on the beach a class of life guards is drilling. When the bathing season opens they will patrol the beach. Down at the Hall of Science classes of girls are being drilled in the intricacies of ticket-selling. All of these and hundreds of other activities go on through the morning and afternoon.

By midafternoon some of the workmen are leaving and others are arriving. The crowd in the lobby of the Administration building is as large as ever, but the procession of trucks has decreased by about half of the forenoon volume. At 10 a.m. steel and timbers for pedestrian viaducts over Columbus drive at 11th street had been delivered; by 3 p.m. some of the supports were in place. On the Midway at noon was the steel skeleton of a minaret; by 5:30 it was almost completely swathed with wallboard and plaster. A peony garden has come into being south of the Lincoln exhibit, where a day or two ago was a clay pile. Down by the 39th street entrance are the skeleton of two huge buildings where day before yesterday there was nothing.

At Work All Night.

After 5 p.m. the tempo of the grounds slows down, there are fewer trucks, fewer men at work. On some jobs they will keep on until darkness forces them to quit. On others they will keep on all through the night in the glare of floodlights. In the Agriculture building at 10 p.m. one approaches a harried superintendent.

"Are you working tonight?" one queries.

"Yes," comes the reply, "three shifts. This joint has to be completed 100 per cent by Sunday or there is a penalty of $1,000 a day."

Until long after dark the pick and shovel men toil leaving off humps, filling depressions, loading debris. From 5 to 6 p.m. there is something of a lull, but the restaurants and hot-dog stands do a brisk business. From 7 to 8 the stream of trucks is augmented. More building materials arrive, truck after truck loaded with waste paper, and refuse rolls away.

And thus through the night, the lights gleam brightly, but they are beginning to blink out. The air grows chill, Percy, the dinosaur, dozes. What a mad world this is into which he has been transplanted.

Percy dozes with one eye open. He doesn't intend to miss a thing.

[End of news article]



Century of Progress Exposition of 1933



Page compiled: 29 December 2005

Site Menu
Home
Introduction
Bright-Light Districts
Leisure Venues
Notable Events
Research Links
Bookstore
Table of Contents
About this Site
Copyrights/Citations
Newest Entries
Century of Progress
Lord's
The Hub
Lakeside Theater
Uptown Hotels
"Voice of the Movie Fan"

Updated Entries
Pantheon Theater
The Fair
Mandel Brothers

New Books

· Davarian L. Baldwin, Chicago's New Negroes: Modernity, the Great Migration, and Black Urban Life (Univ. of North Carolina Press, 2007)

· Georg Leidenberger, Chicago's Progressive Alliance: Labor And the Bid for Public Streetcars (Northern Illinois Univ. Press, 2006)

· Jeffery S. Adler, First in Violence, Deepest in Dirt: Homicide in Chicago, 1875-1920 (Harvard Univ. Press, 2006)

· Suellen Hoy, Good Hearts: Catholic Sisters in Chicago's Past (Univ. of Illinois Press, 2006)

· Ann Durkin Keating, Chicagoland: City and Suburbs in the Railroad Age (Univ. of Chicago Press, 2005)

· Timothy B. Spears, Chicago Dreaming: Midwesterners and the City, 1871-1919 (Univ. of Chicago Press, 2005)

· James R. Grossman, ed., The Encyclopedia of Chicago (Univ. of Chicago Press, 2004)

Search Now: